Katarina Đorđević is a violinist, viola and viola d’’amore player born and raised in Belgrade, Serbia (1991). Katarina holds a Master of Arts degree from the University of London’’s Royal Academy of Music where she studied baroque violin with Simon Standage 2011-2013 and a Master of Music from the University of Belgrade’’s Academy of Music where she studied violin with Vesna Stanković 2005-2010.
During her studies in London, she was supported by the Dositeja fund for young talents of the Serbian government and in 2013-2015 she was awarded a Graduate Entrepreneur sponsorship from the Royal Academy of Music for her Breakthrough Baroque educational project.
In 2015 Katarina became a member of the Association of Musical Artists of Serbia. In 2015-2019 she performed across Serbia and Croatia as 1st violin and soloist of New Trinity Baroque ensemble, concertmaster of New Belgrade Opera, concertmaster of Makris Symphony Orchestra and as baroque violin and viola tutor for Belgrade Baroque Academy. Since 2019 she is a tutti 1st violin player of the Radio Television Serbia Symphony Orchestra and since 2020 a tutti 1st violin of the National Theatre Opera Orchestra in Belgrade.
Her performances in London include chamber music on period instruments at the Wallace Collection, leading the Royal College of Music Baroque Orchestra for performances at the National Portrait Gallery, playing as part of Florilegium Orchestra’’s yearly Bach St Matthew Passion at the Royal Festival Hall, leading the Royal Academy of Music Baroque Orchestra for Bach Unwrapped series at Kings Place, Italian baroque music at the Wigmore Hall with Rachel Podger and In Tune BBC Radio 3 live broadcast of Bach’s Coffee Cantata. Katarina has performed as part of the Royal Academy of Music Kohn Foundation Bach Cantata Series and as a member of Cambridge University Collegium Musicum. She participates regularly in the English Haydn Festival, London Handel Festival, Brecon Baroque Festival and New Generation Festival.
This summary was written during her/his last engagement with Prangins Baroque and certainly no longer reflects her/his current career. For current information on her/his career, please see these official pages:
